在上世纪80年代库卡卡曾经为他的同乡好友兼导演创作过两个电影剧本，这部《一个人的生活》就是其中之一，个人感觉这部以情动人的悲喜剧并不像库卡卡自己的玩闹风格，毕竟不是他导的，影片的悲剧色彩很重，涉及到的题材比较严肃。IMDB上9.5的评分不知是怎么弄出来的，其实没必要那么高。4/5推荐。 　　A man's life falls apart after he quits his job at a sawmill, and subsequently kicks his wife and son out of the house. If Musa can only bring himself to stomach his work at the saw mill for a little longer, he will reach retirement age and will have a nice pension. However, a strike has brought home to him just how bad the wages and working conditions are, and he doesn't return after the strike is over. Meanwhile, his son has had no job for a long time but plays soccer all the time, when he is not wooing the girl who runs the newsstand at the train station. Musa is a bad-tempered fellow who quarrels often with his son. On one of these occasions, his wife throws both of them out of the house. Later she goes mad and then dies. Eventually, the son is arrested for a rape he didn't commit, but this doesn't stop the boy and his girlfriend from getting married, they just do it in jail. The father, left alone with his grudges and grievances, seems to collapse in on himself. This wonderful tragicomedy is wrote by Emir Kusturica.

神枪手席尔瓦（佩德罗·帕斯卡 Pedro Pascal 饰），拜访了他25年前的警长朋友兼恋人杰克（伊桑·霍克 Ethan Hawke 饰），俩人再见后爱火重燃。然而第二天早上，席尔瓦告诉杰克他不是来叙旧的…… 　　导演阿莫多瓦表示这是一部有着西部风格的短片，会有一场对决戏，故事很亲密，甚至有些浪漫。该短片也是对自己心目中的《断背山》的一种回应。

神枪手席尔瓦（佩德罗·帕斯卡 Pedro Pascal 饰），拜访了他25年前的警长朋友兼恋人杰克（伊桑·霍克 Ethan Hawke 饰），俩人再见后爱火重燃。然而第二天早上，席尔瓦告诉杰克他不是来叙旧的…… 　　导演阿莫多瓦表示这是一部有着西部风格的短片，会有一场对决戏，故事很亲密，甚至有些浪漫。该短片也是对自己心目中的《断背山》的一种回应。

The Nuer call themselves Naath. Only their immediate neighbors, the Dinka, Shilluk and Arabs, call them Nuer. Most foreigners, which includes those with whom the Nuer neither fought nor traded, are called Bar which means 'almost entirely cattleless'. Those foreigners who live even more remotely and include Europeans are called Jur which means 'entirely cattleless', a most unthinkable state indeed. 　　The people of Ciengach, where the film was made, are the Eastern Jikany, one of about a sixteen distinct tribes of Nuer. Twenty-five years ago E.E. Evans Pritchard estimated the total population of Nuer to be around a quarter of a million. Since then the number has undoubtedly dwindled considerably due to warfare, civil strife, sickness, drought and the general abandonment of traditional lifeways. 　　However, those who still called themselves Naath did so with an extraordinarily vivid image of themselves as superior people living a superior life. Furthermore, it was impossible not to see that their lives were inextricably tied to their herds. Ciengach is a perfected plan for co-posperity of cows and humans. 　　It cannot be said that filming the Nuer was an easy task, but visually it was always absorbing. They were seldom resentful as was the rule with the Islamicized Afar in the Danakil Desert to the Northeast. On the contrary, the Nuer had a real, even exaggerated, sense of their importance. They considered themselves handsome and displayed their elegance with pride. 　　Nuer existence has, consistent with life led on a flood plain, an almost tidal rhythm due largely to the movement of cattle into and out of the villages. At almost precisely 10:30 in the morning cows and bulls began to groan, stand up and in other ways indicate that the time had come for them to be released and on their way to graze. Within moments the entire herd was sounding a unified complaint. Men and boys then slipped the tethers from their necks and the flow of cattle began. Five more minutes and the village was virtually silent. The herd had receded toward the river and to whatever grass the younger men could find. So the days passed into twilights of returning herds and men and the nights were filled with stars and an almost intoxicating 'bucolia.'

一转眼，马莉（朱丽叶·比诺什 Juliette Binoche 饰）已经是一个四十岁的女人了，某天一觉醒来，马莉竟然失去了之前十五年的全部记忆。也就是说，从记忆的角度来看，四十岁的玛丽宛如二十五岁的少女。 　　亦二十五岁的眼光来看待自己的生活和整个世界，马莉震惊了。本来打得火热的男友保罗（马修·卡索维茨 Mathieu Kassovitz 饰），摇身一变就成了自己的丈夫；职场上默默无闻的小透明，如今成为了企业高管，住在能看得见埃菲尔铁塔的高级豪宅之中。实际上，马莉和保罗之间的感情早已经荡然无存，他们都各自有了婚外恋请。现在，当马莉再度以二十五岁时的炙热目光望向保罗之时，两人的感情能否死灰复燃呢？

一转眼，马莉（朱丽叶·比诺什 Juliette Binoche 饰）已经是一个四十岁的女人了，某天一觉醒来，马莉竟然失去了之前十五年的全部记忆。也就是说，从记忆的角度来看，四十岁的玛丽宛如二十五岁的少女。 　　亦二十五岁的眼光来看待自己的生活和整个世界，马莉震惊了。本来打得火热的男友保罗（马修·卡索维茨 Mathieu Kassovitz 饰），摇身一变就成了自己的丈夫；职场上默默无闻的小透明，如今成为了企业高管，住在能看得见埃菲尔铁塔的高级豪宅之中。实际上，马莉和保罗之间的感情早已经荡然无存，他们都各自有了婚外恋请。现在，当马莉再度以二十五岁时的炙热目光望向保罗之时，两人的感情能否死灰复燃呢？

1943年夏，为巩固抗日力量，军分区紧急行动，派贾大力回到战略要地牛家村发展新成员和建立新的游击组织。阴差阳错，日军军事专家横山混入沐城时被守军抓…

此剧讲述了得知患上癌症的女人，她觉得“既然要死就杀个坏人再死”，然后遇见了人生最珍贵的一个人而展开的故事。

他的工作离不开金钱、欲望与凶险，她则是富商的秘密情人，富商病危住院中，她却完全见不到爱人。当皮条客阿龙遇上艺廊经理乃文，孤独的两人搭上彼此，每一次激情都是对现实的逃避：阿龙有青梅竹马的金莎要照顾，乃文也得决定肚子里的孩子何去何从。这是夜都会的红男绿女愁语，拥有自我是奢谈，真情自然短缺。 莫允雯 、 范少勋 演出突破尺度， 温贞菱的奔放不羁更是抢戏亮点。

他的工作离不开金钱、欲望与凶险，她则是富商的秘密情人，富商病危住院中，她却完全见不到爱人。当皮条客阿龙遇上艺廊经理乃文，孤独的两人搭上彼此，每一次激情都是对现实的逃避：阿龙有青梅竹马的金莎要照顾，乃文也得决定肚子里的孩子何去何从。这是夜都会的红男绿女愁语，拥有自我是奢谈，真情自然短缺。 莫允雯 、 范少勋 演出突破尺度， 温贞菱的奔放不羁更是抢戏亮点。