在上世纪80年代库卡卡曾经为他的同乡好友兼导演创作过两个电影剧本，这部《一个人的生活》就是其中之一，个人感觉这部以情动人的悲喜剧并不像库卡卡自己的玩闹风格，毕竟不是他导的，影片的悲剧色彩很重，涉及到的题材比较严肃。IMDB上9.5的评分不知是怎么弄出来的，其实没必要那么高。4/5推荐。 　　A man's life falls apart after he quits his job at a sawmill, and subsequently kicks his wife and son out of the house. If Musa can only bring himself to stomach his work at the saw mill for a little longer, he will reach retirement age and will have a nice pension. However, a strike has brought home to him just how bad the wages and working conditions are, and he doesn't return after the strike is over. Meanwhile, his son has had no job for a long time but plays soccer all the time, when he is not wooing the girl who runs the newsstand at the train station. Musa is a bad-tempered fellow who quarrels often with his son. On one of these occasions, his wife throws both of them out of the house. Later she goes mad and then dies. Eventually, the son is arrested for a rape he didn't commit, but this doesn't stop the boy and his girlfriend from getting married, they just do it in jail. The father, left alone with his grudges and grievances, seems to collapse in on himself. This wonderful tragicomedy is wrote by Emir Kusturica.

在上世纪80年代库卡卡曾经为他的同乡好友兼导演创作过两个电影剧本，这部《一个人的生活》就是其中之一，个人感觉这部以情动人的悲喜剧并不像库卡卡自己的玩闹风格，毕竟不是他导的，影片的悲剧色彩很重，涉及到的题材比较严肃。IMDB上9.5的评分不知是怎么弄出来的，其实没必要那么高。4/5推荐。 　　A man's life falls apart after he quits his job at a sawmill, and subsequently kicks his wife and son out of the house. If Musa can only bring himself to stomach his work at the saw mill for a little longer, he will reach retirement age and will have a nice pension. However, a strike has brought home to him just how bad the wages and working conditions are, and he doesn't return after the strike is over. Meanwhile, his son has had no job for a long time but plays soccer all the time, when he is not wooing the girl who runs the newsstand at the train station. Musa is a bad-tempered fellow who quarrels often with his son. On one of these occasions, his wife throws both of them out of the house. Later she goes mad and then dies. Eventually, the son is arrested for a rape he didn't commit, but this doesn't stop the boy and his girlfriend from getting married, they just do it in jail. The father, left alone with his grudges and grievances, seems to collapse in on himself. This wonderful tragicomedy is wrote by Emir Kusturica.

神枪手席尔瓦（佩德罗·帕斯卡 Pedro Pascal 饰），拜访了他25年前的警长朋友兼恋人杰克（伊桑·霍克 Ethan Hawke 饰），俩人再见后爱火重燃。然而第二天早上，席尔瓦告诉杰克他不是来叙旧的…… 　　导演阿莫多瓦表示这是一部有着西部风格的短片，会有一场对决戏，故事很亲密，甚至有些浪漫。该短片也是对自己心目中的《断背山》的一种回应。

神枪手席尔瓦（佩德罗·帕斯卡 Pedro Pascal 饰），拜访了他25年前的警长朋友兼恋人杰克（伊桑·霍克 Ethan Hawke 饰），俩人再见后爱火重燃。然而第二天早上，席尔瓦告诉杰克他不是来叙旧的…… 　　导演阿莫多瓦表示这是一部有着西部风格的短片，会有一场对决戏，故事很亲密，甚至有些浪漫。该短片也是对自己心目中的《断背山》的一种回应。

The Nuer call themselves Naath. Only their immediate neighbors, the Dinka, Shilluk and Arabs, call them Nuer. Most foreigners, which includes those with whom the Nuer neither fought nor traded, are called Bar which means 'almost entirely cattleless'. Those foreigners who live even more remotely and include Europeans are called Jur which means 'entirely cattleless', a most unthinkable state indeed. 　　The people of Ciengach, where the film was made, are the Eastern Jikany, one of about a sixteen distinct tribes of Nuer. Twenty-five years ago E.E. Evans Pritchard estimated the total population of Nuer to be around a quarter of a million. Since then the number has undoubtedly dwindled considerably due to warfare, civil strife, sickness, drought and the general abandonment of traditional lifeways. 　　However, those who still called themselves Naath did so with an extraordinarily vivid image of themselves as superior people living a superior life. Furthermore, it was impossible not to see that their lives were inextricably tied to their herds. Ciengach is a perfected plan for co-posperity of cows and humans. 　　It cannot be said that filming the Nuer was an easy task, but visually it was always absorbing. They were seldom resentful as was the rule with the Islamicized Afar in the Danakil Desert to the Northeast. On the contrary, the Nuer had a real, even exaggerated, sense of their importance. They considered themselves handsome and displayed their elegance with pride. 　　Nuer existence has, consistent with life led on a flood plain, an almost tidal rhythm due largely to the movement of cattle into and out of the villages. At almost precisely 10:30 in the morning cows and bulls began to groan, stand up and in other ways indicate that the time had come for them to be released and on their way to graze. Within moments the entire herd was sounding a unified complaint. Men and boys then slipped the tethers from their necks and the flow of cattle began. Five more minutes and the village was virtually silent. The herd had receded toward the river and to whatever grass the younger men could find. So the days passed into twilights of returning herds and men and the nights were filled with stars and an almost intoxicating 'bucolia.'

The Nuer call themselves Naath. Only their immediate neighbors, the Dinka, Shilluk and Arabs, call them Nuer. Most foreigners, which includes those with whom the Nuer neither fought nor traded, are called Bar which means 'almost entirely cattleless'. Those foreigners who live even more remotely and include Europeans are called Jur which means 'entirely cattleless', a most unthinkable state indeed. 　　The people of Ciengach, where the film was made, are the Eastern Jikany, one of about a sixteen distinct tribes of Nuer. Twenty-five years ago E.E. Evans Pritchard estimated the total population of Nuer to be around a quarter of a million. Since then the number has undoubtedly dwindled considerably due to warfare, civil strife, sickness, drought and the general abandonment of traditional lifeways. 　　However, those who still called themselves Naath did so with an extraordinarily vivid image of themselves as superior people living a superior life. Furthermore, it was impossible not to see that their lives were inextricably tied to their herds. Ciengach is a perfected plan for co-posperity of cows and humans. 　　It cannot be said that filming the Nuer was an easy task, but visually it was always absorbing. They were seldom resentful as was the rule with the Islamicized Afar in the Danakil Desert to the Northeast. On the contrary, the Nuer had a real, even exaggerated, sense of their importance. They considered themselves handsome and displayed their elegance with pride. 　　Nuer existence has, consistent with life led on a flood plain, an almost tidal rhythm due largely to the movement of cattle into and out of the villages. At almost precisely 10:30 in the morning cows and bulls began to groan, stand up and in other ways indicate that the time had come for them to be released and on their way to graze. Within moments the entire herd was sounding a unified complaint. Men and boys then slipped the tethers from their necks and the flow of cattle began. Five more minutes and the village was virtually silent. The herd had receded toward the river and to whatever grass the younger men could find. So the days passed into twilights of returning herds and men and the nights were filled with stars and an almost intoxicating 'bucolia.'

一转眼，马莉（朱丽叶·比诺什 Juliette Binoche 饰）已经是一个四十岁的女人了，某天一觉醒来，马莉竟然失去了之前十五年的全部记忆。也就是说，从记忆的角度来看，四十岁的玛丽宛如二十五岁的少女。 　　亦二十五岁的眼光来看待自己的生活和整个世界，马莉震惊了。本来打得火热的男友保罗（马修·卡索维茨 Mathieu Kassovitz 饰），摇身一变就成了自己的丈夫；职场上默默无闻的小透明，如今成为了企业高管，住在能看得见埃菲尔铁塔的高级豪宅之中。实际上，马莉和保罗之间的感情早已经荡然无存，他们都各自有了婚外恋请。现在，当马莉再度以二十五岁时的炙热目光望向保罗之时，两人的感情能否死灰复燃呢？

一转眼，马莉（朱丽叶·比诺什 Juliette Binoche 饰）已经是一个四十岁的女人了，某天一觉醒来，马莉竟然失去了之前十五年的全部记忆。也就是说，从记忆的角度来看，四十岁的玛丽宛如二十五岁的少女。 　　亦二十五岁的眼光来看待自己的生活和整个世界，马莉震惊了。本来打得火热的男友保罗（马修·卡索维茨 Mathieu Kassovitz 饰），摇身一变就成了自己的丈夫；职场上默默无闻的小透明，如今成为了企业高管，住在能看得见埃菲尔铁塔的高级豪宅之中。实际上，马莉和保罗之间的感情早已经荡然无存，他们都各自有了婚外恋请。现在，当马莉再度以二十五岁时的炙热目光望向保罗之时，两人的感情能否死灰复燃呢？

普通乡村教师宋文化 （ 孙海英 饰），在山区小学代课逾20年，艰苦的教学环境没有让他放弃，即便是没有编制的工作，他依旧乐此不疲地做着。可是，落后的教学环境，家长的质疑，让生源逐步流失，最后课堂里只剩下一个学生——唐明明 （王乃训饰）。唐明明自幼命运多舛，被亲生母亲抛弃，父亲又不慎从13楼摔下，面对着一系列的家庭变故，年迈的奶奶无钱治病，父亲工资无从讨要，热爱学习的唐明明与老师宋文化之间发生了感人至深的故事 。

生源流失后，只剩 60 岁的谭老师和 12 岁学生刘航。谭老师身兼数职，以真心守护教育尊严，却面临现实困境：刘航母亲忧心儿子前程，村民不解、妻子心疼，镇小来访更让去留成难题。懂事的刘航不忍老师带病操劳，忍痛决定转学，反倒触动众人重新审视老教师的价值。最终刘航留下传承精神，村民献上敬意，谭老师为四十年教学生涯画上满含希望的句号，诠释了乡村教育者的坚守与乡土间的质朴温情。